<SPEECH 1><ACT 5><SCENE 2><90%>
<GENTLEMAN 3>	<90%>
	Most true, if ever truth were pregnant by circumstance: that which you hear you'll swear you see, there is such unity in the proofs. The mantle of Queen Hermione, her jewel about the neck of it, the letters of Antigonus found with it, which they know to be his character; the majesty of the creature in resemblance of the mother, the affection of nobleness which nature shows above her breeding, and many other evidences proclaim her with all certainty to be the king's daughter. Did you see the meeting of the two kings?
</GENTLEMAN 3>

<SPEECH 2><ACT 5><SCENE 2><90%>
<GENTLEMAN 3>	<90%>
	Then have you lost a sight, which was to be seen, cannot be spoken of. There might you have beheld one joy crown another, so, and in such manner that, it seemed, sorrow wept to take leave of them, for their joy waded in tears. There was casting up of eyes, holding up of hands, with countenances of such distraction that they were to be known by garment, not by favour. Our king, being ready to leap out of himself for joy of his found daughter, as if that joy were now become a loss, cries, 'O, thy mother, thy mother!' then asks Bohemia forgiveness; then embraces his son-in-law; then again worries he his daughter with clipping her; now he thanks the old shepherd, which stands by like a weather-bitten conduit of many kings' reigns. I never heard of such another encounter, which lames report to follow it and undoes description to do it.
</GENTLEMAN 3>

<SPEECH 3><ACT 5><SCENE 2><90%>
<GENTLEMAN 3>	<91%>
	Like an old tale still, which will have matter to rehearse, though credit be asleep and not an ear open. He was torn to pieces with a bear: this avouches the shepherd's son, who has not only his innocence—which seems much—to justify him, but a handkerchief and rings of his that Paulina knows.
</GENTLEMAN 3>

<SPEECH 4><ACT 5><SCENE 2><91%>
<GENTLEMAN 3>	<91%>
	Wracked, the same instant of their master's death, and in the view of the shepherd: so that all the instruments which aided to expose the child were even then lost when it was found. But, O! the noble combat that 'twixt joy and sorrow was fought in Paulina. She had one eye declined for the loss of her husband, another elevated that the oracle was fulfilled: she lifted the princess from the earth, and so locks her in embracing, as if she would pin her to her heart that she might no more be in danger of losing.
</GENTLEMAN 3>

<SPEECH 5><ACT 5><SCENE 2><91%>
<GENTLEMAN 3>	<92%>
	One of the prettiest touches of all, and that which angled for mine eyes,—caught the water though not the fish,—was when at the relation of the queen's death, with the manner how she came to it,—bravely confessed and lamented by the king,—how attentiveness wounded his daughter; till, from one sign of dolour to another, she did, with an 'alas!' I would fain say, bleed tears, for I am sure my heart wept blood. Who was most marble there changed colour; some swounded, all sorrowed: if all the world could have seen't, the woe had been universal.
</GENTLEMAN 3>

<SPEECH 6><ACT 5><SCENE 2><92%>
<GENTLEMAN 3>	<92%>
	No; the princess hearing of her mother's statue, which is in the keeping of Paulina—a piece many years in doing, and now newly performed by that rare Italian master, Julio Romano; who, had he himself eternity and could put breath into his work, would beguile Nature of her custom, so perfectly he is her ape: he so near to Hermione hath done Hermione that they say one would speak to her and stand in hope of answer: thither with all greediness of affection are they gone, and there they intend to sup.
</GENTLEMAN 3>

